Amal Neerad’s lens captures the Munnar landscapes like never before.
This paper explores how director Amal Neerad "possesses" colonial texts like Shakespeare's King Lear and Fyodor Dostoevsky's The Brothers Karamazov to retell the story of India’s colonization through a Marxist lens. It analyzes the patriarch Iyob (Job) as a figure who perpetuates colonial evils like anti-tribal pogroms and smuggling on a tea plantation. Amal Neerad’s lens captures the Munnar landscapes like
Fahadh Faasil, Lal, Jayasurya, Isha Sharvani, and Jinu Joseph and Jinu Joseph