The scene where a character is murdered while the two photographers are developing prints in a darkroom. The editing here is razor-sharp. The comedy of errors—where they try to photograph the murder but fail repeatedly—turns the horrific into the hilarious.
Why do people jump through these hoops? Because the film is a lightning rod of Indian satire. The scene where two photographers (Naseeruddin Shah and Ravi Baswani) try to expose a corporation by photographing a murder, only to have the photos develop as blank negatives, is a masterclass in existential comedy. index of jaane bhi do yaaro
4.5/5