The phrase "comic de los" evokes a lineage: from Los supers (the superheroes of DC and Marvel) to Los detectives (the noir grit of Sin City ), and Los extranjeros (manga and bandes dessinées). For decades, these sequential art forms were dismissed as "low culture"—pulpy, disposable entertainment for children and adolescents. Yet, within those cheap, colorful pages, the DNA of modern storytelling was being coded.
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