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But the real villain is not a human hand—it is the library. Specifically, the labyrinthine Aedificium , a forbidden library that only the most learned librarian can navigate. Eco, a renowned semiotician, uses the library as a metaphor for human knowledge: infinite, structured yet chaotic, and guarded by those who fear what it might unleash. The killer is not trying to hide a crime, but an idea—the second book of Aristotle’s Poetics , which celebrated laughter as a subversive, truth-revealing force. In a world ruled by fear of God and doctrinal purity, laughter becomes heresy.