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Since 2018, Wienold has been increasingly involved in public art commissions:

, where she has described herself as an "artist" and the "cutest redhead in the business". Ambiguity Note Suzanna Wienold - IMDb

But the harbor's influence persisted. In the evenings she recorded short reflections in her blue notebook, though now she sometimes left a page in the harbor's care if she felt a memory might be better kept by tides. The bead Anja gave her glowed faintly in her palm when she was decisive; it dimmed when she hesitated. People came to her for repairs and left with things that felt less heavy. They spoke to her of their missing hours and bruised names; she listened and handed them back objects not always the ones asked for but often the ones that would make living possible again.

Years accumulated like patched cloth. Suzanna aged in a manner both quiet and obvious: hands freckled with the map of her labor, hair threaded with silver, eyes patient but keen. Emil, true to his nature, continued to drift in and out, bringing stories like shells and leaving small gifts. Once, when they met on a winter quay, he told her, "You have a harbor in your hands now." She replied, "I only mend what's broken. The rest—"